Saturday, October 23, 2010

Dark Dixie 2 & Hell Hollow Digital Two-Pack


Crossroad Press has just released my new digital story collection, Dark Dixie 2 : Tales of Southern Horror. This is a companion collection to the first Dark Dixie. DD2 is much darker in nature, wandering into shadowy places where the first book never ventured. The Southern-fried flavor is still there; from the dankness and decay of the Louisiana swamps, to the dust and sweat of Texas, and into familiar territory of my own, the mossy gloom of the Tennessee backwoods, as well as the turned earth of its furtile farmland. Creatures lurk within the pages as well. Spiders and gators, things dwelling within jars and the currents of the wind, and the abominations of Hell, let loose to run joyfully rampant in the night. Plus, it features another incredibly eerie cover by my pal, Zach McCain.
Right now, Crossroad is running a two-for-one special; both Dark Dixie 2 and my new novel, Hell Hollow, for the low price of $6.99. If you are into digital fiction or haven't yet read my brand of Dixiefied horror, this would be an excellent opportunity to get nearly 600 pages of Southern-fried fiction for a very affordable price.
You can get this Dark Dixie 2/Hell Hollow two-fer pack in a variety of digital formats at Crossroad Press now at: http://store.crossroadpress.com/index.php?cPath=22

Friday, October 22, 2010

And the Winner is...!

I'm pleased to announce that Brian Shaner of Covington, Georgia is the winner of the Horribly Hairy Halloween contest over at RonaldKelly.com.


Brian will recieve a future copy of the upcoming Undertaker's Moon limited edition, a Blue Wolf print by Alex McVey, the Wolfman Legacy DVD collection, and three werewolf stories written, inscribed, and illustrated by yours truly.


Congratulations, Brian, and a big thanks to everyone who entered this year!

Friday, October 1, 2010

Hell Hollow Digital & A Horribly Hairy Halloween Contest!


Since October 1st marks the beginning of the Halloween season, I'm starting out Southern-Fried & Horrified with a couple of announcements that would make the most down-in-the-mouth Jack-O-Lantern grin with fiendish delight! So here we go...

Hell Hollow... now in digital!

Today Crossroad Press released my latest novel, Hell Hollow, in digital format. Now you can join Keith, Rusty, Chuck, and Maggie on their quest to defeat the evil medicine show man, Doctor Augustus Leech, on your Kindle or home computer. And, considering that this book is a whopping 500 pages, you can't beat the price at a mere $4.99. That's right, that's less than a penny a page for a trip to the dark and dangerous depths of Hell Hollow! The signed limited edition of HH is still available from Cemetery Dance for $40, but if you prefer the convenience and affordability of the digital version, you can get it now at Crossroad Press: http://crossroadpress.com/catalog

A Horribly Hairy Halloween Contest

Well, it's that time again! Time for our 3rd annual Halloween contest at my official website, Ronald Kelly.com. This year we're paying tribute to one my favorite monsters; the howler of the night, the shunner of wolfbane, the moon-bathed hunter of man and beast alike... the beloved Werewolf. And the hirsute prize package we're giving away this year is likely to please the most faithful lycanthrope lover! This year's lucky winner will recieve the following items:


Undertaker's Moon / Volume #1 of the Essential Ronald Kelly Collection

One of the very first copies of my Irish werewolf novel, scheduled to be released in Spring of 2011 by Publisher X (no, I'm still not going to let the cat out of the bag... not yet!). This limited hardcover edition of Undertaker's Moon (formerly published as Moon of the Werewolf by Zebra Books in 1991) will boast upgraded production values, a bonus novella titled "The Spawn of Arget Bethir", an insightful article on the writing of the novel, and, of course, Alex McVey's infamous "Blue Wolf" cover. As soon as I recieve my author's copies of UM, a single copy will be reserved for the contest winner and personally signed and inscribed by Ol' Ron.

Blue Wolf art print by Alex McVey

A large, suitable-for-framing, high-quality print of Alex's blue werewolf cover, signed by the master himself.

Universal's THE WOLF MAN Legacy DVD Collection

A brand-new, unopened copy of Universal Studios' The Wolf Man Legacy DVD Collection, featuring such time-honored horror classics as the original 1941 The Wolf Man starring Lon Chaney Jr., Werewolf of London, Frankenstein Meets the Wolf Man, and She-Wolf of London.



Three signed, inscribed, and illustrated Ronald Kelly werewolf short stories
And last, but not least, three werewolf stories (in traditional manuscript form) from yours truly. This trio of tales includes Peacemaker, Thinning the Herd, and a yet-to-be-published story titled Then Came a Woodsman. Each will have my signature, a personal inscription to the winner, and a piece of original werewolf art (drawn by myself, no less!) on the last page of the story.
So don't wait for the first full moon of the cycle to roll around! Head on over to http://ronaldkelly.com/ and enter today for your chance to win this brazenly bestial prize package!


Thursday, September 16, 2010

William Rasmussen's Claw Marks & Other Disturbing Diversions



If you were a horror fan back in the late 80's and early 90's, the name William C. Rasmussen would have been a familiar one to you, along with folks like Bentley Little, Elizabeth Massie, and Wayne Allen Sallee. Rasmussen was a fixture in the various small press magazines that were so plentiful during that time; a dependable and creative writer who could deliver great stories of darkness and suspense time and time again without disappointment. Bill and I shared the table of contents in quite a few of those limited-run magazines... publications like Deathrealm, Eldritch Tales, and 2 AM, to name only a few. We both appeared in the first issue of Cemetery Dance Magazine, too, so we pretty much found ourselves bumping into one another (story-wise) on a regular basis during those fun days of small press horror. Then toward the mid-90's we both disappeared from the scene; me because of the implosion of the horror market and Zebra's dumping of their horror paperback line, and Bill due to the pressures of family life and working as an FBI agent in New York City, which gave him little time to write, let alone pursue a full-fledged writing career.


Like me, he vanished for a long time. Also, like me, he is back behind the keyboard again. Bill's first short story collection, Claw Marks & Other Disturbing Diversions has just been released as a digital e-book by Crossroad Press. I had the pleasure of reading Claw Marks before its publication and, believe me, Mr. Rasmussen is still a master storyteller with much to offer the horror genre. The collection contains 16 stories. Some are gems from those small press days of the past, while others are new and just as frightfully gripping as a Bill Rasmussen story should be. All in all, it's a fun and entertaining selection of tales that will keep you on the edge of your easy chair.


You can purchase Claw Marks & Other Disturbing Diversions from Crossroad Press at http://crossroadpress.com/ for an incredible $2.99. Take it from me, this would be a wonderful opportunity for fans of Horror Past to relive some great stories from one of the best short story writers around at that time and for current horror readers to discover an incredible talent they were previously unaware of.

Saturday, September 4, 2010

Smack-Down at the Cracker Barrel

On the way home from our recent vacation to Florida, things got, shall I say, a bit stressed out as we passed through Atlanta and headed on toward Chattanooga. The kids were restless and worn out from the long drive that day, especially my youngest daughter, Makenna. When I suggested a snack of chips, she flatly requested Sun Chips. Well, the big Frito/Lay chip assortment that we bought for the trip didn't have Sun Chips. This sort of freaked out my five-year-old. For ten or fifteen minutes, in the busiest section of downtown Atlanta, with my wife driving, Makenna loudly expelled a maddening mantra of "I want Sun Chips, I want Sun Chips, I WANT SUN CHIPS!"


No amount of soothing words on my part could end that nerve-grating tantrum. It wasn't long before Joyce had had enough and, screeching to a halt off a nearby exit, hopped out of the van and dealt some old-fashioned Southern mother discipline. Nothing drastic, mind you -- we don't believe in beating our young'uns half to death, the way our parents did back in old days -- but she delivered just enough of a "leg-pop" to end Makenna's demand for Sun Chips and bring blessed silence to the interior of the Town & Country once again. Looking around, I saw everyone was in need for a pit-stop and, since it was already approaching six in the evening, I suggested "Why don't we stop somewhere nice and eat? Maybe Cracker Barrel?"


That seemed to lift everyone's flagging spirits considerably. Cracker Barrel has always been a favorite restaurant with the Kelly family. The rustic setting, high-backed rocking chairs on the front porch, Southern-themed antiques hanging from the walls and ceiling, and gallon upon gallon of sweet tea... all make for a comforting atmosphere for folks who grew up eating in Grandma's kitchen instead of a prim-and-proper dining room.


So we detoured off an exit just outside Atlanta. Everyone was hungry and ready to eat. Fortunately, we hit the restaurant at just the right time; we were ushered to our table with no waiting involved. Customarily around suppertime, you can wait up to an hour or more for a table at Cracker Barrel, but this time we were sitting at our table within the span of forty-five seconds. The waitress, who seemed new and inexperienced -- she wore no year-commemorating stars on her brown apron -- showed up to take our orders. Our drink orders were a no-brainer... sweet tea all around. When it came to ordering our food, Joyce and I decided that the catfish plate would be a good choice. So we placed our order and waited. The kids occupied themselves with Cracker Barrel coloring books and that weird triangular puzzle with the colored pegs that graces each table.


When our food arrived and the plates were set before us, a pall of silence fell over the Kelly family (which can be both disturbing and a bit frightening, considering that we, as a bunch, are never silent for more than two seconds at a time). "Hope you enjoy your meal," piped the waitress, then left. My wife looked down at her plate. Anpeculiar expression crossed her face; sort of like she had been clubbed between the eyes with a ball-peen hammer. Uh-oh, I thought. This isn't good.


Lately, Cracker Barrel has been doing what every other restaurant chain has been doing since that mini gas crisis happened a couple of years ago; you know when gas reached three bucks and more a gallon? They've been trying to con the consumer into believing that less-bang-for-your-buck is a good deal, increasing prices while becoming downright stingy with their portions. They no longer bring out a heaping plate of cat-head biscuits and cornbread muffins, but ask which one you prefer and bring you out one or two for the duration of your entire meal. And where they used to serve you a mountain of turnip greens or hashbrown casserole, they now plop down a portion that had to be doled out with the smallest ice cream scouper imaginable.


Well, this evenings meal was no exception. When Joyce appraised her plate she found the following items: a small thimble-sized bowl of cole slaw, five steak fries, and a sorry little piece of breaded and fried catfish. One measly piece... not the two generous pieces that we were normally accustomed to.


Nope... not on our table.
Makenna couldn't help but giggle when she saw that tiny, curled-up piece of catfish. "Hey, Mama, that sort of looks like a dog turd!" she said out loud. And she was right. It looked more like something Old Yeller would have left out front of the cabin porch than anything that should have come out of a frying pan. We all thought that was funny and had a big laugh about it... except Joyce. That bewildered expression remained on her face and then her countenance slowly took on a brilliant crimson hue; one that I was quite familiar with, given that we have been married for going on twenty years. Joyce is the sweetest, kindest woman on the face of the earth and I'm blessed to have her as my blushing bride. But you don't rile her. And with this sorry plate of food, Cracker Barrel had just crossed the line.
She lifted her eyes from her plate and stared at me, causing my mirth to wither in mid-chuckle. Instantly, an old Southern saying sprang to mind... one that rings true today as much as it did years ago. "If Mama ain't happy... ain't NOBODY happy!"
Immediately, a hush fell across the supper table. The kids grew silent and averted their eyes from their mother, as if afraid that her sudden wrath might be turned mercilessly in their direction. "Let's call the waitress over and tell her," I suggested. Joyce wouldn't hear of it, though. "No, she said in a calm that spoke volumes about repressed rage and self-control. "I'll take care of it later." She lifted her fork. It hovered above the turd-sized catfish filet for an uneasy moment, then began to pick at it, breaking away the breaded crust, revealing the tender white meat underneath. In my mind's eye, I pictured a hungry lioness dissatisfied with a particularly puny gazelle she had been forced to settle for on the African savannah.
"But it won't be any trouble at all," I said, starting to lift my hand to hail our server. Joyce's eyes blazed from the opposite side of the table. "I SAID... I'll take care of it."
So there we sat, mostly in silence, eating our meager $7.99 meal, which should have been enough to fill our bellies, but, sadly, didn't come close. The waitress had left our ticket when bringing our plates. Frankly, I think she knew she had screwed up. We never saw her again during the course of our meal. No coming out to see if we wanted dessert. No prompt and friendly refills of sweet tea, which, in my wife's eyes, is as heinous and unpardonable as home-made sin.
Needless to say, no tip was left on the table when we departed. "Take the kids to the toy section while I take care of this," Joyce said. As she picked up the meal ticket for $33.75, I couldn't help but think that the scrap of paper resembled someone's death warrant in her hands. "Come on, guys," I said, hustling the young'uns off to the toy corner. "Mama's got some business to attend to."
At the toy section, the kids occupied themselves with Beany Babies and toy trucks, while I nervously glanced toward the sales counter. When Joyce finally got her turn at the register and the cashier asked her "How was your meal this evening?" it was at that moment that she let loose... not angrily or making a big scene, but in well-measured words. I couldn't hear what was taking place from where I stood, but I could imagine. A disturbed look crossed the cashier's face and she quickly called for the store manager.
I looked around the Cracker Barrel gift shop, at all the browsing customers, oblivious to what was about to go down, and a phrase from my youth crossed my mind. That niave warning the school teachers once drummed into our heads in the event that a thermonuclear device might be detonated in our rural neighborhood. "Duck and Cover!" As the chubby Cracker Barrel manager strolled out, dressed in shirt and tie, wearing a no-nonsense look on his face, I looked over at my wife standing there, more than ready. An image of the Enola Gay opening its bay doors over an unsuspecting Hiroshima flashed before my eyes.
Again, no fuss or fight evolved, drawing stares of dismay and fear from the restaurant patrons. And, thankfully, no local law enforcement was called to settle the situation. Joyce handled it in her own cool and collected manner. As my wife voiced her displeasure, a stricken expression crossed the manager's brow and his face paled several shades (which was a feat in itself, considering that he was of African-American decent). A moment later, Joyce called to us from the front door. "Let's go!" Soon, we where back in the van and on the road again.
"So... what happened?" I finally asked after a few minutes.
"Well, we didn't have to pay for it," she replied and that was really all that was said about that particular confrontation.
I was well aware that Joyce was more than glad to pay for whatever she ordered and, in no way, would attempt to swindle a free meal from her favorite restaurant. But when it came down to a food portion that looked more at home at the bottom of a pooper-scouper than on a supper plate, my wife was ruthless and showed absolutely no mercy.

Thursday, August 19, 2010

The Long Road to Hell Hollow




Last week, I did a guest blog on Jennifer Sicurella's excellent book review site, Reading with Tequila. It was called "The Long Road to Hell Hollow" and detailed the lengthy journey my latest novel, Hell Hollow, made between the time it was first written (1995) until its eventual publication (2010).


For those of you who missed it, here is the blog in its entirety:



THE LONG ROAD TO HELL HOLLOW


Have you ever taken a construction detour and found yourself traveling unfamiliar ground? Or maybe you took a short cut to save time and ended up lost and way off the beaten track?

That was sort of how it felt for me, concerning my newest novel, Hell Hollow, which, incidentally, isn't all that new after all. Let me explain...

In 1996, my horror-writing career was in full-swing. I'd had seven novels published by Zebra Books and another, Blood Kin, was on the verge of being released. Plus I had a couple more in the wings; Hell Hollow and Restless Shadows, a sequel to my first novel, Hindsight. Things seemed to be moving forward in a brisk and positive manner. But then, sometimes things aren't exactly how they seem to be.

There was trouble brewing in the horror world at that time... something we old-timers call the Big Horror Bust. What it all amounted to was an oversaturation of horror literature in the mass market publishing field. The good novels were being totally drowned out by the white noise of too many novels that were mediocre to downright bad. Horror was immensely popular between the mid-80's and mid-90's, and the publishers had all jumped on the bandwagon in a big way. But then they started over-doing it, releasing too many books that just weren't up to horror readers' standards, and eventually sales began to suffer. By '95 and '96 most of the larger paperback horror publishers were cutting their losses by ditching their horror lines completely. It was an uneasy time for horror authors back then; watching their peers lose their publishers left and right. I never thought it would ever happen to me... I reckon I was simply naive. Then, in October of '96, my agent gave me a call. My hopes for another multi-book deal from Zebra were dashed when I was informed that Zebra was shutting down their entire horror line and that I was basically out of business as far as they were concerned. Blood Kin would be released, but the other two, Hell Hollow and Restless Shadows would not.

Needless to say, I was devastated. I tried to pick up the pieces and find a new publisher, but it was impossible. No publishers were taking on new authors -- even established ones -- and especially not if horror was their speciality. Eventually, I tired of butting my head against the wall and simply gave up writing altogether. I stuck Hell Hollow and the other novel in a drawer and returned to the normal world; one without dealines, release dates, and hours behind the keyboard.

For ten years I existed in a non-writing limbo, resigned to the fact that I'd had my shot at the writing life and lost it due to no fault of my own. Then, in 2006, something peculiar happened. Folks started asking about me on the internet horror forums and buying my old books off eBay and Amazon. Some very good friends and loyal fans contacted me and convinced me to come back to the horror arena. Is it possible? I asked myself. Do I really have a second chance? After much soul-searching, I decided to try my hand at it again. Believe me, there was a generous amount of doubt and fear involved. I wondered if I still had what it took to write good, effective horror... or if I could even write at all, being out of practice for so very long. But as I began to write and submit new work, I found that my worries were unfounded. If anything, I seemed to be more prolific and actually write better than I had a decade before.

One of my first big deals was with Cemetery Dance Publications. Richard Chizmar gave me a call and suggested we do a short story collection and novel. My story collection would be Midnight Grinding & Other Twilight Terrors (published in 2009), while my comeback novel would be the long-unpublished Hell Hollow.

The deal was done and I waited. And waited... and waited. Due to Cemetery Dance's huge backlog of unpublished titles, Hell Hollow was in the pipeline for nearly four years. But, finally, my coming-of-age novel about four summertime friends and their battle against an evil medicine show man incarnated from a serial killer will be released this month. It's a whopper of a tale -- nearly five hundred pages in length -- with a wicked cover by horror artist Alex McVey. The folks at Cemetery Dance have done an incredible job with this book and I'm happy that it'll finally be available to my fans, both old and new.

So Hell Hollow's unforeseen detour -- one that spanned fifteen long years from conception to release -- is now at its end. Now I can let out a sigh of relief... and hope that needless detours -- at least in my horror writing career -- are a thing of the past.





Friday, August 13, 2010

Bad Moon Books to Publish CUMBERLAND FURNACE & TIMBER GRAY


I'm pleased to announce that Bad Moon Books will be publishing print versions of my best-selling digital books, Cumberland Furnace & Other Fear-Forged Fables and Timber Gray.


Cumberland Furnace & Other Fear-Forged Fables is my second full-fledged short story collection of Southern-fried horror tales, on the heels of Cemetery Dance's Midnight Grinding & Other Twilight Terrors. The digital e-book of Cumberland Furnace, released by David Niall Wilson's Crossroad Press this past Feburary, was a collection of seven stories that were written following my return to the horror genre after an absence of ten years. The "real" book version will be greatly expanded... offering 21 stories in all, both new and old, as well as a few that were previously unpublished. In other words, Cumberland Furnace will pretty much include everything that Midnight Grinding missed the first time around.




Timber Gray is my first honest-to-goodness western novel. It is pretty traditional, but also dark and violent. Timber Gray is about a man who loses his family -- and nearly his sanity -- to an attack by a pack of rabid wolves, then, over the years, evolves into one of the most sought after wolf hunters in the western territories. He encounters a turning point in his bloody career when a cattleman hires him to hunt down and destroy a pack of fifty marauding wolves led by the legendary Cripplefoot. As he pursues them through Montana and into the Bighorn Mountains of Wyoming, he gradually realizes that, beneath the anger and bitterness that rules his life, there is still a human side that remains; a side he thought had died a long time ago.



Bad Moon Books will be releasing both Cumberland Furnace & Other Fear-Forged Fables and Timber Gray in affordable trade paperback editions. Publisher Roy Robbins and I are now hard at work preparing these two books for publication. As of right now, we have no definite release dates, but are hoping to make them available to the reading public by early to mid-2011. Watch for an announcement of the official release dates of these two new books in the near future, either here at Southern-Fried & Horrified, or at my website at www.ronaldkelly.com.