Saturday, October 23, 2010
Dark Dixie 2 & Hell Hollow Digital Two-Pack
Friday, October 22, 2010
And the Winner is...!
Brian will recieve a future copy of the upcoming Undertaker's Moon limited edition, a Blue Wolf print by Alex McVey, the Wolfman Legacy DVD collection, and three werewolf stories written, inscribed, and illustrated by yours truly.
Congratulations, Brian, and a big thanks to everyone who entered this year!
Friday, October 1, 2010
Hell Hollow Digital & A Horribly Hairy Halloween Contest!
Since October 1st marks the beginning of the Halloween season, I'm starting out Southern-Fried & Horrified with a couple of announcements that would make the most down-in-the-mouth Jack-O-Lantern grin with fiendish delight! So here we go...
Hell Hollow... now in digital!
Today Crossroad Press released my latest novel, Hell Hollow, in digital format. Now you can join Keith, Rusty, Chuck, and Maggie on their quest to defeat the evil medicine show man, Doctor Augustus Leech, on your Kindle or home computer. And, considering that this book is a whopping 500 pages, you can't beat the price at a mere $4.99. That's right, that's less than a penny a page for a trip to the dark and dangerous depths of Hell Hollow! The signed limited edition of HH is still available from Cemetery Dance for $40, but if you prefer the convenience and affordability of the digital version, you can get it now at Crossroad Press: http://crossroadpress.com/catalog
A Horribly Hairy Halloween Contest
Well, it's that time again! Time for our 3rd annual Halloween contest at my official website, Ronald Kelly.com. This year we're paying tribute to one my favorite monsters; the howler of the night, the shunner of wolfbane, the moon-bathed hunter of man and beast alike... the beloved Werewolf. And the hirsute prize package we're giving away this year is likely to please the most faithful lycanthrope lover! This year's lucky winner will recieve the following items:
Undertaker's Moon / Volume #1 of the Essential Ronald Kelly Collection
One of the very first copies of my Irish werewolf novel, scheduled to be released in Spring of 2011 by Publisher X (no, I'm still not going to let the cat out of the bag... not yet!). This limited hardcover edition of Undertaker's Moon (formerly published as Moon of the Werewolf by Zebra Books in 1991) will boast upgraded production values, a bonus novella titled "The Spawn of Arget Bethir", an insightful article on the writing of the novel, and, of course, Alex McVey's infamous "Blue Wolf" cover. As soon as I recieve my author's copies of UM, a single copy will be reserved for the contest winner and personally signed and inscribed by Ol' Ron.
Blue Wolf art print by Alex McVey
A large, suitable-for-framing, high-quality print of Alex's blue werewolf cover, signed by the master himself.
Universal's THE WOLF MAN Legacy DVD Collection
A brand-new, unopened copy of Universal Studios' The Wolf Man Legacy DVD Collection, featuring such time-honored horror classics as the original 1941 The Wolf Man starring Lon Chaney Jr., Werewolf of London, Frankenstein Meets the Wolf Man, and She-Wolf of London.
Thursday, September 16, 2010
William Rasmussen's Claw Marks & Other Disturbing Diversions

If you were a horror fan back in the late 80's and early 90's, the name William C. Rasmussen would have been a familiar one to you, along with folks like Bentley Little, Elizabeth Massie, and Wayne Allen Sallee. Rasmussen was a fixture in the various small press magazines that were so plentiful during that time; a dependable and creative writer who could deliver great stories of darkness and suspense time and time again without disappointment. Bill and I shared the table of contents in quite a few of those limited-run magazines... publications like Deathrealm, Eldritch Tales, and 2 AM, to name only a few. We both appeared in the first issue of Cemetery Dance Magazine, too, so we pretty much found ourselves bumping into one another (story-wise) on a regular basis during those fun days of small press horror. Then toward the mid-90's we both disappeared from the scene; me because of the implosion of the horror market and Zebra's dumping of their horror paperback line, and Bill due to the pressures of family life and working as an FBI agent in New York City, which gave him little time to write, let alone pursue a full-fledged writing career.
Like me, he vanished for a long time. Also, like me, he is back behind the keyboard again. Bill's first short story collection, Claw Marks & Other Disturbing Diversions has just been released as a digital e-book by Crossroad Press. I had the pleasure of reading Claw Marks before its publication and, believe me, Mr. Rasmussen is still a master storyteller with much to offer the horror genre. The collection contains 16 stories. Some are gems from those small press days of the past, while others are new and just as frightfully gripping as a Bill Rasmussen story should be. All in all, it's a fun and entertaining selection of tales that will keep you on the edge of your easy chair.
You can purchase Claw Marks & Other Disturbing Diversions from Crossroad Press at http://crossroadpress.com/ for an incredible $2.99. Take it from me, this would be a wonderful opportunity for fans of Horror Past to relive some great stories from one of the best short story writers around at that time and for current horror readers to discover an incredible talent they were previously unaware of.
Saturday, September 4, 2010
Smack-Down at the Cracker Barrel
No amount of soothing words on my part could end that nerve-grating tantrum. It wasn't long before Joyce had had enough and, screeching to a halt off a nearby exit, hopped out of the van and dealt some old-fashioned Southern mother discipline. Nothing drastic, mind you -- we don't believe in beating our young'uns half to death, the way our parents did back in old days -- but she delivered just enough of a "leg-pop" to end Makenna's demand for Sun Chips and bring blessed silence to the interior of the Town & Country once again. Looking around, I saw everyone was in need for a pit-stop and, since it was already approaching six in the evening, I suggested "Why don't we stop somewhere nice and eat? Maybe Cracker Barrel?"
That seemed to lift everyone's flagging spirits considerably. Cracker Barrel has always been a favorite restaurant with the Kelly family. The rustic setting, high-backed rocking chairs on the front porch, Southern-themed antiques hanging from the walls and ceiling, and gallon upon gallon of sweet tea... all make for a comforting atmosphere for folks who grew up eating in Grandma's kitchen instead of a prim-and-proper dining room.
So we detoured off an exit just outside Atlanta. Everyone was hungry and ready to eat. Fortunately, we hit the restaurant at just the right time; we were ushered to our table with no waiting involved. Customarily around suppertime, you can wait up to an hour or more for a table at Cracker Barrel, but this time we were sitting at our table within the span of forty-five seconds. The waitress, who seemed new and inexperienced -- she wore no year-commemorating stars on her brown apron -- showed up to take our orders. Our drink orders were a no-brainer... sweet tea all around. When it came to ordering our food, Joyce and I decided that the catfish plate would be a good choice. So we placed our order and waited. The kids occupied themselves with Cracker Barrel coloring books and that weird triangular puzzle with the colored pegs that graces each table.
When our food arrived and the plates were set before us, a pall of silence fell over the Kelly family (which can be both disturbing and a bit frightening, considering that we, as a bunch, are never silent for more than two seconds at a time). "Hope you enjoy your meal," piped the waitress, then left. My wife looked down at her plate. Anpeculiar expression crossed her face; sort of like she had been clubbed between the eyes with a ball-peen hammer. Uh-oh, I thought. This isn't good.
Lately, Cracker Barrel has been doing what every other restaurant chain has been doing since that mini gas crisis happened a couple of years ago; you know when gas reached three bucks and more a gallon? They've been trying to con the consumer into believing that less-bang-for-your-buck is a good deal, increasing prices while becoming downright stingy with their portions. They no longer bring out a heaping plate of cat-head biscuits and cornbread muffins, but ask which one you prefer and bring you out one or two for the duration of your entire meal. And where they used to serve you a mountain of turnip greens or hashbrown casserole, they now plop down a portion that had to be doled out with the smallest ice cream scouper imaginable.
Well, this evenings meal was no exception. When Joyce appraised her plate she found the following items: a small thimble-sized bowl of cole slaw, five steak fries, and a sorry little piece of breaded and fried catfish. One measly piece... not the two generous pieces that we were normally accustomed to.
Thursday, August 19, 2010
The Long Road to Hell Hollow
That was sort of how it felt for me, concerning my newest novel, Hell Hollow, which, incidentally, isn't all that new after all. Let me explain...
In 1996, my horror-writing career was in full-swing. I'd had seven novels published by Zebra Books and another, Blood Kin, was on the verge of being released. Plus I had a couple more in the wings; Hell Hollow and Restless Shadows, a sequel to my first novel, Hindsight. Things seemed to be moving forward in a brisk and positive manner. But then, sometimes things aren't exactly how they seem to be.
There was trouble brewing in the horror world at that time... something we old-timers call the Big Horror Bust. What it all amounted to was an oversaturation of horror literature in the mass market publishing field. The good novels were being totally drowned out by the white noise of too many novels that were mediocre to downright bad. Horror was immensely popular between the mid-80's and mid-90's, and the publishers had all jumped on the bandwagon in a big way. But then they started over-doing it, releasing too many books that just weren't up to horror readers' standards, and eventually sales began to suffer. By '95 and '96 most of the larger paperback horror publishers were cutting their losses by ditching their horror lines completely. It was an uneasy time for horror authors back then; watching their peers lose their publishers left and right. I never thought it would ever happen to me... I reckon I was simply naive. Then, in October of '96, my agent gave me a call. My hopes for another multi-book deal from Zebra were dashed when I was informed that Zebra was shutting down their entire horror line and that I was basically out of business as far as they were concerned. Blood Kin would be released, but the other two, Hell Hollow and Restless Shadows would not.
Needless to say, I was devastated. I tried to pick up the pieces and find a new publisher, but it was impossible. No publishers were taking on new authors -- even established ones -- and especially not if horror was their speciality. Eventually, I tired of butting my head against the wall and simply gave up writing altogether. I stuck Hell Hollow and the other novel in a drawer and returned to the normal world; one without dealines, release dates, and hours behind the keyboard.
For ten years I existed in a non-writing limbo, resigned to the fact that I'd had my shot at the writing life and lost it due to no fault of my own. Then, in 2006, something peculiar happened. Folks started asking about me on the internet horror forums and buying my old books off eBay and Amazon. Some very good friends and loyal fans contacted me and convinced me to come back to the horror arena. Is it possible? I asked myself. Do I really have a second chance? After much soul-searching, I decided to try my hand at it again. Believe me, there was a generous amount of doubt and fear involved. I wondered if I still had what it took to write good, effective horror... or if I could even write at all, being out of practice for so very long. But as I began to write and submit new work, I found that my worries were unfounded. If anything, I seemed to be more prolific and actually write better than I had a decade before.
One of my first big deals was with Cemetery Dance Publications. Richard Chizmar gave me a call and suggested we do a short story collection and novel. My story collection would be Midnight Grinding & Other Twilight Terrors (published in 2009), while my comeback novel would be the long-unpublished Hell Hollow.
The deal was done and I waited. And waited... and waited. Due to Cemetery Dance's huge backlog of unpublished titles, Hell Hollow was in the pipeline for nearly four years. But, finally, my coming-of-age novel about four summertime friends and their battle against an evil medicine show man incarnated from a serial killer will be released this month. It's a whopper of a tale -- nearly five hundred pages in length -- with a wicked cover by horror artist Alex McVey. The folks at Cemetery Dance have done an incredible job with this book and I'm happy that it'll finally be available to my fans, both old and new.
So Hell Hollow's unforeseen detour -- one that spanned fifteen long years from conception to release -- is now at its end. Now I can let out a sigh of relief... and hope that needless detours -- at least in my horror writing career -- are a thing of the past.
Friday, August 13, 2010
Bad Moon Books to Publish CUMBERLAND FURNACE & TIMBER GRAY
I'm pleased to announce that Bad Moon Books will be publishing print versions of my best-selling digital books, Cumberland Furnace & Other Fear-Forged Fables and Timber Gray.
Cumberland Furnace & Other Fear-Forged Fables is my second full-fledged short story collection of Southern-fried horror tales, on the heels of Cemetery Dance's Midnight Grinding & Other Twilight Terrors. The digital e-book of Cumberland Furnace, released by David Niall Wilson's Crossroad Press this past Feburary, was a collection of seven stories that were written following my return to the horror genre after an absence of ten years. The "real" book version will be greatly expanded... offering 21 stories in all, both new and old, as well as a few that were previously unpublished. In other words, Cumberland Furnace will pretty much include everything that Midnight Grinding missed the first time around.
Timber Gray is my first honest-to-goodness western novel. It is pretty traditional, but also dark and violent. Timber Gray is about a man who loses his family -- and nearly his sanity -- to an attack by a pack of rabid wolves, then, over the years, evolves into one of the most sought after wolf hunters in the western territories. He encounters a turning point in his bloody career when a cattleman hires him to hunt down and destroy a pack of fifty marauding wolves led by the legendary Cripplefoot. As he pursues them through Montana and into the Bighorn Mountains of Wyoming, he gradually realizes that, beneath the anger and bitterness that rules his life, there is still a human side that remains; a side he thought had died a long time ago.
Bad Moon Books will be releasing both Cumberland Furnace & Other Fear-Forged Fables and Timber Gray in affordable trade paperback editions. Publisher Roy Robbins and I are now hard at work preparing these two books for publication. As of right now, we have no definite release dates, but are hoping to make them available to the reading public by early to mid-2011. Watch for an announcement of the official release dates of these two new books in the near future, either here at Southern-Fried & Horrified, or at my website at www.ronaldkelly.com.

